I selected
the video the power of art. I’ve heard
about Rothkos art before, but only seen it on occasion. I was glad I could get some further
insight. Rothko was a painter who’d “spent
so much time in the realm of death that
he killed himself”. Quite a way to
start a video. When you take a look at
some of the painting, you can read see this.
As an abstract painter, Rothkos suicide might leave some too solemn to
view his works, which were in stark contrast to much of the more lively art at
the time. Mostly, art was bright and popish,
and Rothkos art was not. His suicide did
bring up some interest into his art, and the art of other solemn pieces of the
same nature. Even the lighting in
Rothkos works room was to be kept low, which also helped set the mood. The Dark reds/purples were really allowed to
cut deep into your psyche without the reprieve of lighting. Interesting that Seagrams would enlist such a
dark painter to do the décor in their headquarters, although Mark was in his
prime. Rothko questioned, as did many
others, how far art can take us, how much effect can it put over us. At 2.5
million offer, Rothko took an uncanny amount of time before accepting the
offer. Even Rothkos early art was dark
and bleak. Interesting to see that
Rotchko felt his art was not an expression of his own feelings, but of the
world for what it is. Many artists
express themselves. Rotchko focused on
the dark nature of the simplest of human emotions, but objectively, not out of
his own heart. Matisses “Red Studio” had
an impact on Rotcko, and you can really see if you look into Rothkos art as to
why. Thebook mentions Rothko in a very
minimal way. It shows Rothkos painting orange and yellow, 1956, which is
lighter than many of Rothkos other works.
It makes no mention of the real dark, dreary nature of most of his
paintings, but does show us a different version of several of his other works. The fields of color with a constant, hazy
border is still present. At times is
seems to me that while Rothko claimed to not be displaying any inner feelings,
I believe he had some serious psychological issues. This is reinforced by the fact that he spoke
a desire to have people negatively effected, influenced by the darkness of his
works. He wanted them to feel the despair
and sadness of the world. Others not
being overwhelmed by these feelings caused Rothko personal anguish. The film showed a strong opinion of the
artist without questioning any of his positions. I think it would have done well to do so at
least a little considering how deep into the person of Mark Rothko as it did.
The second
video I watched was Uncertainty:modernity and Art. After exploring Rothkos realm I felt slightly
engrained and interested in an aspect which showcased depravity and chaos, a
realm of art I’d only slightly explored in the past. (Chapmans'
Fucking Hell) The title drew me in, being similar in material
or not. 5 yards of red, interesting and
compared to Greek sculptures, a unique view.
The fil begins by showcasing many of the differences in modern society
vs classical society relative to cultural cohesion and uniformity. Moving onto specificities, Picassos works are
cited, referencing a change to abstract visions. Hitler and the Nazis identifying modern art
as a perversion is a very interesting concept to me. The idea that things are not concrete and
life is always changing and true, however in a sense we dictate the differences
and uniformity in our lives. Creating a
world of consistency and uniformity is just as likely and real as a world of
realistic art. Art seems to come from a
form of our society, a display or our feelings and current political
fervor. This is interesting and supported
by the different art based on the governmental scheme possessed by the different
major factions prior to and during WWII.
Abstract art seems to be the anti-realism. To say a truth is in abstract art, is purely
subjective. While subjectivity is an
interesting topic, no one can say that they mean any more or less than
realistic art. How can one understand
abstract art? However they want. What type of art is more true? Is open mindedness truly good? Is it bad?
Is it subjective. The book shows
some of the differences in art, from photographic to digital, but says nothing
about the nazi views on art. Also the
book really goes into little detail about some possible causes (modularity) of the transition, but rather of what modern
art is. This was an interesting video,
but slightly chaotic. It didn’t really
follow a constant theme, besides the theme of chaos and difference, which is
exactly what contemporary art is.